The Baz Luhrmann Elvis movie follows the iconic singer for more than 20 years across the 50s, 60s, and 70s, from his childhood and meteoric rise to stardom to his long, slow decline. The film focuses on his career as both a rock and roll star and movie star. The story is told through the eyes of his longtime manager, Colonel Tom Parker, portrayed by Tom Hanks. The movie also highlights Elvis' relationship with Priscilla Presley (Olivia DeJonge), his wife.

No. In Baz Luhrmann's Elvis movie, we see a young Elvis at a gospel church revival tent with a large yellow lightning bolt hanging around his neck. "That didn't happen," says Elvis expert Billy Stallings. The symbol adorns a young Elvis in the movie to make him look like a superhero. He is clearly inspired by his Captain Marvel Jr. comic book in which the main character wears a large yellow lightning bolt on his chest. Director Baz Luhrmann said that he sees Elvis as the first real-life superhero, which explains the creative liberty.

In researching how accurate is Elvis, we learned that the real Elvis Presley was a huge fan of the Captain Marvel Jr. comic book. His trademark haircut was modeled after the comic book character, and he even wore half capes as part of some of his stage outfits. Later in his life, he had jewelry (several necklaces and a ring) made with a lightning bolt and the letters "TCB" above it, which stands for "Taking Care of Business in a Flash". Elvis began to display this motto/logo around 1974 when he was in his late 30s.

Not exactly. When Elvis (Austin Butler) is in the process of creating his first single for Sun Records in the movie, we see him watching an old bluesman stomp through a soupy, gloomy version of Arthur Crudup's "That's All Right." Butler's Elvis then combines this version with a gospel choir's elevated rendition of "I'll Fly Away," resulting in something similar to the version of "That's All Right" the real Elvis Presley produced.

The problem here is that while blues and gospel certainly inspired Elvis Presley, he was also influenced by rock 'n' roll and country music as well. The latter is an important element that's all but absent from the film. This seems to have been an intentional omission by director Baz Luhrmann in order to play up the idea that Elvis was appropriating black culture and benefitting from doing so, all while his black contemporaries weren't being given the same opportunities. While the latter is certainly true, it's a distortion of the facts to ignore the other influences that inspired the real Elvis Presley, specifically Southern country.

In reality, Elvis' sound was more unique than it was ever an exact appropriation of any one genre or genres. It could also be argued that the elements of blues and gospel in his music provided a gateway for people to discover blues and gospel artists.

Yes. While it might seem like it's exaggerated for the Baz Luhrmann film, girls really were desperate to get a piece of Elvis. Screaming over him, reaching for him, and chasing after him were common. Elvis' good looks, tantalizing dance moves, and mesmerizing voice were enough to easily seduce female fans. His onstage gyrations were the stuff of juke joints and gospel tents, things most white girls had never been exposed to before. Colonel Parker (Tom Hanks) is not far off when he states in the movie that Elvis "was a taste of forbidden fruit."

In exploring the Elvis fact vs. fiction, we discovered that Priscilla, portrayed by Olivia DeJonge in the movie, was just 14 when she met Elvis, who was 24 at the time. After meeting in Germany, they began dating and she faced the challenge of juggling their high-profile relationship with high school. At age 15, Elvis invited her to come live with him in Memphis. Priscilla's parents okayed the decision, fearing that their daughter, who claimed that she was deeply in love, might rebel and go anyway if they said no. They married six years later in 1967.

Yes. In fact, there's an entire Wikipedia page devoted to Elvis' Pink Cadillac, more specifically a pink 1955 Cadillac Fleetwood Series 60. As we explored the Elvis true story, we discovered that the Baz Luhrmann movie gets the color wrong. The shade of pink in the film is far too dark and rich. In real life, Elvis had actually purchased the car in blue with a black roof. A neighbor named Art repainted it a custom pink color that he dubbed "Elvis Rose." It is akin to a light pastel pink. In March 1956, several months after Elvis' guitarist Scotty Moore got into an accident while driving the car and caused $1,000 in damage, Elvis had the roof painted white, the body retouched, and the upholstery replaced.

Yes. In conducting our Elvis fact-check, we learned that he was addicted to prescription drugs for years. He abused opiates, tranquilizers, antihistamines, barbiturates, Quaaludes, hormones, and sleeping pills. His addiction to opiates, including Demerol, Dilaudid, Percodan, and codeine, led to severe constipation for which he took laxatives. It is believed that Elvis was straining on the toilet at the time of his death, resulting in a heart attack. His girlfriend, Ginger Alden, found him lying unconscious on the floor of the bathroom in the master suite of his Graceland mansion. Surprisingly, this type of death is not uncommon.

Elvis had a total of fourteen different drugs in his body at the time of his death. Respected pathologist Dr. Cyril Wecht said that Elvis "was a walking drugstore." Wecht blamed Elvis' death on what is known as "polypharmacy," the simultaneous use of multiple prescription drugs to treat one or more conditions. Dr. George Nichopoulos had been Elvis' personal physician for a decade and faced charges of misconduct for the amount of drugs he prescribed Elvis. Nichopoulos testified that Elvis traveled with three suitcases full of drugs for himself and his entourage. Elvis' ex-wife Priscilla Presley told Barbara Walters that he was giving her pills to help her sleep not long after they started dating when she was in her early teens.

Yes. At a press conference for the Baz Luhrmann film, Tom Hanks spoke about Colonel Tom Parker, commenting, "Was he a cheap crook who played fast and loose with the money? Yeah, [but] he brought joy to everything he did. With just a little bit of larceny." The rumor that Colonel Parker took 50 percent of Elvis' earnings is an exaggeration and "absolutely not factual." However, a judge did rule in 1980 that Colonel Parker had defrauded the Elvis estate, taking millions. There are those who even blame Colonel Parker for Elvis' death, citing that Parker was overworking him and pushed him to the brink.

Elvis expert Billy Stallings said that he believes there would have been no Elvis without the Colonel, and vice versa. Tom Hank's character states this very thing at the beginning of the movie, proclaiming, "Without me, there would be no Elvis Presley." Yet, it's true that like in the movie, the showman Parker put profit above everything else, including artistry.

During a CinemaCon panel, Baz Luhrmann said that he did rely on historical accuracy but with a slightly elevated flair. He said that unlike his earlier film Moulin Rouge!, "it's more grounded and I guess right out of the gate more accessible to audiences." Luhrmann said that he doesn't exactly see the film as an Elvis biopic. "It's really for me about America in the 50s and 60s and 70s. If you want to talk about America in the 50s and 60s and 70s, at the center of culture, for the good the bad and the ugly, was Elvis. Shakespeare would explore culture through kings."

Billy Stallings, an expert on Elvis history, emphasized that the film is not for Elvis purists. Instead, it's a way for younger audiences and people not familiar with Elvis to be introduced to the King of Rock and Roll. It's a supersized, over-the-top look at Elvis' life that stacks one grandiose moment on top of another. Its extravagance holds your attention, even if it's at the cost of staying faithful to Elvis Presley's true story.

As stated earlier, writer/director Baz Luhrmann noticeably omits the significant influence that country music had on Elvis. He also inserts fictional modern-day flair into the story, including the rap that suddenly unfolds in Big Mama Thorton's rendition of "Hound Dog." It's an obvious attempt to bridge the gap and reach younger generations, while at the same time leaving diehard fans rolling their eyes as they dissect the Elvis fact vs. fiction.

Actor Austin Butler sings all of the songs from when the King was younger. For the "old Elvis" tracks, Elvis' real recordings were used.

Harry Styles, Miles Teller, Aaron Taylor-Johnson, and Ansel Elgort are some of the other actors that Austin Butler beat out for the role. Writer/director Baz Luhrmann said that while Harry Styles was one of his top choices, the musician/actor is a superstar in his own right, a factor that might overshadow the character.