No. Regarding Ed's interactions with his mother, biographer Harold Schechter stated, "Other than the few things Ed said about it in his confessions, we don't really know what went on between them." Schechter said that even in his own book Deviant: The Shocking True Story of Ed Gein, The Original "Psycho", he created imaginative reconstructions to depict what might have gone on between Ed and his mother Augusta. The series creates it's own fictional and more exaggerated interpretations of their possible interactions.
No. Ed Gein biographer Harold Schechter told the New York Post that the very first scene of Monster: The Ed Gein Story, in which Charlie Hunnam's character engages in autoerotic asphyxiation, is pure fiction. "I'm like, 'Where did that come from?'" Schechter said. "There's no evidence whatsoever that Ed ever enjoyed that particular activity."
No. A fact-check reveals that Ed's older brother Henry Gein's official cause of death was asphyxiation during a brush fire on the family's farm in Plainfield, Wisconsin. Ed and Henry had been burning marshland vegetation on May 16, 1944 when the fire spread uncontrollably. According to reports, Ed escaped unharmed but Henry was lost in the blaze. Ed gathered a search party together that included Deputy Sheriff Frank Engle. They discovered his brother's body, which was lying facedown on scorched ground near the farm. The body was unburned and there was soot on Henry's clothes. The medical authority at the scene, which included the county coroner, determined that the cause of death was asphyxiation.
Ed Gein biographer Harold Schechter writes in his book Deviant that they noticed "funny bruises" on Henry's head. However, he does not provide a primary source for this detail, such as an autopsy report, police records, or eyewitness statements. I could not find any contemporary news reports from 1944 that mention any sort of bruising or injuries to Henry Gein's body. Reports of bruising on websites like Crime Library and Britannica all lead back to Schechter as the source. Given that his book is creative nonfiction, it's possible that he made up the detail to bolster the reader's suspicion that Ed might be responsible.
Like in the series, there was little reason at the time to suspect that Ed, who had been seen as a "meek little man," was involved in his brother's death. Suspicions that he may have killed his brother arose years later after his 1957 arrest for murder. Schechter writes that the brothers' tensions over their domineering mother (Ed idolized her while Henry criticized her) added to the suspicions of foul play. It appears that Schechter is drawing from the book written by Robert H. Gollmar, the judge in Ed Gein's trial, who notes Henry's general concern over Ed's unhealthy attachment to their mother Augusta. However, I could find no direct statements made by Ed about being at odds with his brother.
Yes, according to the true story, the paralyzing stroke happened in 1944, the same year as Ed's brother Henry's death. Like in the series, Augusta Gein died from a second stroke shortly after berating a woman who had been in the nearby home of a man named Smith. Ed and Augusta had gone to the home to purchase straw, not collect a debt. Smith, who was well known for his short temper, was outside the home beating a puppy and the woman came out onto the porch yelling for him to stop. The man beat the dog to death, but that's not what bothered Augusta the most. Instead, she called the woman "Smith's harlot" since the two were not married. Augusta Gein passed away less than a week later on December 29, 1945 (not immediately after yelling at Smith and the woman). She reportedly died in her home.
This is speculation on the part of the creators of the Netflix series, as well as Harold Schechter, the author of the Ed Gein biography Deviant. Ilse Koch was the wife of Karl-Otto Koch, commandant of the Buchenwald concentration camp. She had indeed lived luxuriously amid the camp's atrocities, where over 56,000 prisoners died. She was accused of selecting tattooed prisoners for execution to harvest their skin for lampshades, book covers, and gloves.
Yes. The true story behind Netflix's Monster: The Ed Gein Story confirms that he used female skin to make masks and body suits. He also modified furniture, including a chair and a lampshade, and used human skulls for food bowls. As indicated in the series, the masks were the inspiration for the skin masks worn by Leatherface in the horror movie The Texas Chainsaw Massacre.
Yes. According to TIME magazine, Gein watched the obituaries to target fresh graves to rob. He exhumed the bodies of "nine or ten" women from three local cemeteries—Plainfield, Spirit Land, and Hancock—taking various body parts and in one instance the entire corpse. It's true that one of the graves adjoined his mother's.
While Adeline Watkins was indeed a real person, her relationship with Ed Gein is grossly exaggerated in the series. The series depiction of the romance is loosely based on Watkins initial claims about her and Gein's relationship after his crimes were discovered on November 16, 1957. She had told the Minneapolis Tribune that she and Gein had dated for over 20 years, calling him "good and kind and sweet." She also claimed that they regularly talked about murders that were in the news. "Eddie told how the murderer did wrong, what mistakes he had made. I thought it was interesting," she said.
Monster: The Ed Gein Story depicts Charlie Hunnam's character partaking in necrophilia with one of the bodies he dug up. However, a fact vs. fiction examination reveals that Gein denied having sexual relations with the bodies. Schechter's Ed Gein biography states, "He denied having sex relations with the bodies or parts of them as he declares the odor was offensive." Similar is stated in a 1957 TIME magazine article, "Gein practiced neither cannibalism nor necrophilia, but preserved the remains just to look at." Schechter states that Gein denied this "several times" when questioned.
No. Evelyn Hartley was indeed a real person who disappeared in October 1953 while babysitting in Wisconsin, but investigators determined that Ed Gein was not involved. In reality, the disappearance happened while 15-year-old Evelyn was babysitting in La Crosse, Wisconsin, which was about two hours away from Gein's farmhouse in Plainfield. Ed Gein had been born in La Crosse and still had relatives there, but he claimed that he hadn't been back since his family moved when he was seven. Gein said that he had been doing some odd jobs for a neighbor on the day of Evelyn Hartley's disappearance.
Yes. According to author Harold Schechter, who wrote the Ed Gein biography Deviant: The Shocking True Story of the Original "Psycho", Ed did babysit local children in the past, but this was back when his mother was still alive and well before he committed the two murders attributed to him. This was also long before he started stealing bodies from the cemetery. Schechter notes that the children were always glad to see Ed. He would tell them creepy stories from the magazines he read and would even do silly magic tricks, but they were far from the macabre magic tricks he performs in the series, which are pure fiction.
No. There is no evidence to suggest that Anthony Perkins' sexual orientation had anything to do with him being cast as Norman Bates in Psycho. In Monster: The Ed Gein Story, Alfred Hitchcock tells Perkins that he chose him for the role because like Ed Gein, Perkins too was confused and deeply troubled. Hitchcock implies that Perkins' crisis around his sexual identity was the driving force behind why he was cast. However, this stems from modern reinterpretations of Psycho, particularly attempts to tie the casting to Norman Bates' complex psychology.
No. As reported by TIME magazine in 1957, Ed Gein claimed that he did not engage in cannibalism and there was no evidence in real life to suggest as much. Furthermore, there were no reports that he ever gave human flesh to neighbors, pretending it was venison, as the show depicts. According to Rolling Stone, cannibalism is also unlikely due to the fact that the majority of the nine women Gein dug up had been embalmed, making it even more unlikely that he would have tried to eat them.
No. There's no historical record of Hitchcock recreating Ed Gein's house, including the horrors found within, and showing it to Anthony Perkins as the actor prepared for the role of Norman Bates in Psycho. This is complete fiction. In fact, Psycho was only loosely inspired by Ed Gein's crimes and his obsessive relationship with his mother. The inspiration was indirect through Robert Bloch's 1959 novel of the same name, which Bloch himself said wasn't heavily based on Ed Gein, but rather was a starting point for his novel, which has its own unique narrative.
Psycho did create intense audience reactions, but not quite as severe as what's seen in the series. Moviegoers were shocked that Hitchcock would kill off the protagonist (portrayed by Janet Leigh) so early in the film. They were also shocked by the perceived violence of the shower scene, and it's true that there were reports of people walking out or screaming in fright. However, the depiction of people leaving the theater to vomit seems to be a bit of an exaggeration and we found no reports to corroborate such an event.
No. In Monster: The Ed Gein Story, two lost hunters stumble upon Gein's farm. They enter the barn and discover Gein and the mutilated body of hardware store owner Bernice Worden. Shocked, they flee the barn and Gein chases after them with a chainsaw. He catches up to them, takes time to put on his human skin mask, and then uses the chainsaw to kill them. He then dances around holding the chainsaw in the air à la Leatherface in The Texas Chainsaw Massacre, the movie his story would loosely inspire.
No. While the voice of actor Charlie Hunnam in the series echoes the real Ed Gein's documented softness and mildness, Hunnam exaggerates the childlike affectation in an attempt to create a more impactful character who is constantly yearning for his mother's approval, which some have argued comes off as being over-the-top. Hunnam said that he developed the voice based on his research, which up until the last minute did not include listening to the interrogation tapes of the real Ed Gein, since no one could find them.
No. In Monster, Gein is depicted as engaging in a romantic relationship with Bernice Worden. They eat at a diner and then sleep together. However, there's no evidence that they were ever romantically linked in real life. Author Harold Schechter states in Deviant that not long before murdering her, Gein asked her to go roller skating. Though she's depicted as being bawdy and flirtatious in the series, the 58-year-old grandmother was far more conservative in real life. She was a widow and a devout Methodist. As noted by Schechter, she was "held in high regard by most of the community" despite her sharp tongue and at times snippy attitude. She was even the first woman to be honored as Plainfield's Citizen of the Week.
Yes. In Netflix's Monster: The Ed Gein Story, actor Charlie Hall portrays Bernice Worden's son, Deputy Frank Worden. He investigates his mother's disappearance and discovers her mutilated body at Gein's residence. This deviates somewhat from the true story. Deputy Frank Worden indeed visited his mother's shop and discovered signs of the crime. However, he did not discover a gift box addressed to Gein (they were not romantically involved). Instead, he found a sales receipt for antifreeze made out to Gein from that morning, which was the last transaction his mother had recorded. He also found an open cash register and bloodstains on the floor.
No. Monster depicts Gein pulling up to his home after the authorities have discovered his gruesome crimes. In a dramatic scene, he is attacked by Bernice Worden's son, Frank, as he's being arrested. None of this happened in real life. According to a report in The Daily Tribune, Gein was arrested at the West Plainfield Store, which was owned by his friend Lester Hill. He had supper with Hill and his family not long before his arrest.
No. Ed Gein biographer Harold Schechter told the New York Post that the depiction in the series of Ed Gein helping to solve the Ted Bundy murders is "wildly, wildly made up." Essentially, series creators Ryan Murphy and Ian Brennan thought it would be fun to make up a link between Gein and the Netflix series Mindhunter, which is based on real-life FBI agents John Douglas and Robert Ressler and their work for the agency's newly created Behavioral Science Unit in the latter half of the 1970s. They fictionalize Douglas and Ressler interviewing Gein about Ted Bundy, but there is no record that the FBI ever talked to Gein.
Yes. Not long after his arrest, Gein was diagnosed with schizophrenia by court-appointed psychiatrists. He was initially deemed mentally unfit to stand trial. However, he would eventually be tried for the murder of hardware store owner Bernice Worden in November 1968, more than a decade after his arrest.
While the series depicts Ed Gein (Charlie Hunnam) committing multiple murders, only two murders have been officially attributed to him. The first is a 54-year-old divorcee tavern owner named Mary Hogan, who he had been friends with, and the second is 58-year-old Bernice Worden, who operated a local hardware store. Gein was eventually only tried for the murder of Bernice Worden and was found guilty of first-degree murder. A subsequent hearing pertaining to Gein's sanity concluded that he was "not guilty by reason of insanity." He was ordered to be committed to Central State Hospital for the Criminally Insane (later renamed Mendota Mental Health Institute).
Though he also admitted to the December 8, 1954 killing of Mary Hogan, he was never tried for her murder for a number of reasons. Unlike Bernice Worden, whose body had been freshly killed, Hogan's older remains were less definitive for building a court case. In addition, Gein's confessions, though detailed, were given under psychological distress not long before he was diagnosed with schizophrenia. Prosecutors also had weaker evidence pertaining to Hogan's murder and were worried trying him on both counts might weaken their case. Having a separate additional trial for Hogan's murder wouldn't have changed the fact that he had already been deemed insane after the first trial and was to be institutionalized for life. As the judge noted, it would have essentially amounted to unnecessary costs. Gein remained institutionalized until his death from lung cancer in 1984 at age 77.
No. As stated above, Ed Gein was not considered to be a serial killer. Not only did he not fit the earlier definition in terms of number of victims, he was also not the type of killer that the term was created to describe.
"He was not a serial killer," biographer Harold Schechter told the New York Post, because the term serial killer was specifically coined to describe a certain kind of psychopathic sex murderer, an extreme sexual sadist like Ted Bundy or John Wayne Gacy, who derived erotic pleasure from torturing and then killing victims. That was not what Gein was about. He did kill these two women, but he executed them very swiftly. He was basically just interested in bringing their corpses home so he could dissect them. He was not a serial killer and the notion that all these serial killers at the end were inspired by Gein, like Richard Speck, I feel pretty confident that none of them even knew who Gein was. They wouldn't have been inspired by him because he was not a serial killer."
On a scale of 1 to 10 in terms of historical accuracy, with 10 being most accurate, we give Netflix's Monster: The Ed Gein Story a 2 out of 10. In fact, in my 20+ years of researching movies and series based on true stories, Monster is possibly the most fabricated series I've researched. Yes, there are elements from Ed Gein's life in Monster, but each episode is filled with so much fiction that the show hardly resembles the real Ed Gein.
Author Harold Schechter, who wrote what is considered to be the definitive biography of Ed Gein, said that he was never approached by showrunner Ryan Murphy to option his book Deviant. Schechter became worried that there was going to be a lot of unauthorized use of his book in the series. However, his feelings changed after watching it.
Schechter told the New York Post, "There is some unauthorized use of my book, I feel, but the show veers so wildly from the reality of the case, so much of it is pure over-the-top fabrication, that now I'm mostly upset that all the people who watch the show are gonna think they're seeing the true story of Ed Gein."
Schechter said that the broad outlines of Gein's life are there, including "his relation to his domineering mother, the grave robbery, the making of these ghastly objects out of the body parts, and so on, those are pretty accurate, but a very large percentage of the show is just made up. ... Either Murphy or Ian Brennan who wrote it just invented these outrageous things, which have no relationship to the true facts of the Ed Gein story. ... My jaw dropped at how shameless the whole production was."
And it's not just Gein's life that's heavily fictionalized. As described earlier, the series shamelessly fictionalizes the backstories of movies like Psycho, The Texas Chainsaw Massacre, and The Silence of the Lambs to imply that Ed Gein was more of an inspiration on those films than he actually was. Gein's life is also retroactively fictionalized to strengthen his connection to those films. For example, he never killed anyone with a chainsaw like the character Leatherface does in The Texas Chainsaw Massacre.
The more the series goes on, the more ridiculous the mounting fabrications become. It's as if creators Ryan Murphy and Ian Brennan just said, "F*** the true story, we'll make up something better," which seems to be Murphy's go-to strategy, for better or worse, but obviously for worse in terms of historical accuracy. The result is that much in the same way that Ed Gein loosely inspired movies like Psycho and The Silence of the Lambs, in the end, he is similarly a loose inspiration for the "biopic" Monster: The Ed Gein Story.