|REEL FACE:||REAL FACE:|
Born: February 16, 1974
Oakland, California, USA
Born: January 29, 1927
Birthplace: Pensacola, Florida, USA
Death: April 6, 2013, Manhattan, New York City, New York, USA (heart disease)
Born: October 20, 1958
Manhattan, New York City, New York, USA
Born: July 30, 1930
Birthplace: Beaver Falls, Pennsylvania, USA
Death: January 4, 2013, Teaneck, New Jersey, USA
Born: June 25, 1975
Redwood City, California, USA
Born: June 25, 1932
Death: February 17, 1999, New Jersey, USA
Like in the film, the true story unfolded mainly in 1962. Tony Lip, an Italian-American bouncer from the Bronx who was employed at New York City's Copacabana nightclub, accepted a job driving the renowned African-American musician Don Shirley through the Deep South.
Yes. White theater producer Sol Hurok told a twenty-something Shirley that he should not pursue a career in classical music, reasoning that American audiences would not want to see a "colored" pianist on the concert stage. Instead, Hurok recommended that Shirley focus on a career in pop music and jazz.
Though he did perform as a soloist with symphonies in Chicago, Cleveland, Detroit and elsewhere, Shirley ended up taking Hurok's advice. He blended classical music with jazz and other types of pop music to create his own genre. As a result, most of his performances were at nightclubs instead of concert halls. He hated the nightclubs because he felt that the audiences didn't respect his music enough. He also felt that jazz pianists demeaned themselves in the way they carried themselves on stage. They "smoke while they're playing, and they'll put the glass of whisky on the piano, and then they'll get mad when they're not respected like Arthur Rubinstein", Shirley said in a 1982 New York Times interview. "You don't see Arthur Rubinstein smoking and putting a glass on the piano. ... The black experience through music, with a sense of dignity, that's all I have ever tried to do," Shirley told The New York Times.
He was by no means the only black artist to be denied the opportunity to become a concert pianist. Nina Simone, for example, had similar aspirations to become a classical concert pianist but was denied the opportunity. Despite the color barrier keeping Don Shirley from shining as a classical pianist on the concert stage, his pop-oriented music was a technical marvel. He weaved into Tin Pan Alley songs bits of classical études, bringing it all together for a one-of-a-kind trio of cello, bass and piano. Listen to his songs "I Can't Get Started", "Blue Moon", or "Lullaby of Birdland", which is featured in the movie, and witness his talent for yourself.
Yes. As depicted in the Green Book movie, Don Shirley lived in one of the elegant artists' units above Carnegie Hall for more than 50 years. At times, he probably felt like he was trapped in a castle's tower, wishing he could be in the concert hall below performing in the many symphonies held there. He did get to play on Carnegie Hall's stage. Shirley performed in concerts there with his trio once a year. In 1955, he played piano on the Carnegie stage for the debut of Duke Ellington's "New World a-Comin'". -The New York Times
He was born Frank Anthony Vallelonga. Tony comes from his middle name, and as stated in the movie, "Lip" refers to the fact that by the age of eight he had earned a reputation for being able to talk his way into or out of anything. It was a skill that he utilized his entire life.
According to The New York Times, Don Shirley was known to friends and audiences as "Dr. Shirley." He was indeed intelligent, but he had never been to graduate school. It is believed that his title may have been a reference to his two honorary degrees.
Yes. Don Shirley's southern tour depicted in Green Book had been booked by Columbia Artists, his management company. He indeed found himself playing at whites-only theaters and parlor rooms. Safety was a concern, as only six years prior in 1956 Nat King Cole had been assaulted on stage while performing for an all-white audience in Birmingham, Alabama (The Guardian). This is recounted in the film. It was certain that Shirley would face discrimination and possible violence. For this reason, Tony Lip, who had been working as a bouncer in New York City, also provided security as well, when necessary.
Lip, a former minor-league baseball player who served in the U.S. Army in postwar Germany, actually traveled with pianist Don Shirley for a year and a half. The movie condenses this into two months. Screenwriter Nick Vallelonga says that shortening the trip so much for the film is the only major creative license that the filmmakers took. In doing so, certain events in the film don't happen in the same cities or dates that they did in real life. -TIME
Yes. According to his son Nick Vallelonga, Viggo Mortensen's character eating 26 hot dogs in one sitting indeed happened in real life. -TIME
Yes. Lip became enraged at the officer for calling him a derogatory name for Italians. Lip did punch the officer and they ended up in jail, but it happened a year later, in the fall of 1963. The incident took place during a separate road trip that occurred after the Christmas break that the movie ends with. Shirley did phone then-Attorney General Robert Kennedy, who helped get them out of jail. In real life, Shirley was indeed friends with Robert Kennedy, and he made the call just days before Kennedy's brother, President John F. Kennedy, was assassinated. It's not shown in the movie, but Shirley took time out from his tour to attend JFK's funeral. -TIME
Yes. Like in the Green Book movie, Tony Lip's larger-than-life personality contrasted the much more reserved virtuoso Don Shirley, who spoke with an upper-class enunciation and refused to pick up food with his hands. In the film, we see Lip persuade Shirley to try fried chicken. Shirley daintily touches the piece of chicken, not sure of the proper way to hold it.
Yes. In fact, to get the story correct while writing the screenplay, Tony Lip's son, Nick Vallelonga, used the letters that his father had written to his mother. It's true that at times the letters were co-authored by Don Shirley.
In the 1980s, Vallelonga had started preparing to tell the story of his father's friendship with Shirley. It was then that he began recording interviews with his father about his experiences on the road with Shirley.
Yes. Lip's son, Nick Vallelonga, who was a co-writer of the Green Book script, said of Shirley, "He was a meticulous, well-dressed, well-spoken, well-educated man. And he was so nice to myself and my brother. And he was very, very interested in my father's family, that my father was a family man. He gave us gifts. I remember he gave me ice skates when I was small. Just really a special human being, a very special person. Having Mahershala [Ali] play him is like beyond belief."
At the Toronto Film Festival, Vallelonga told an audience that his father continued to travel with Shirley following the events depicted in the movie. "They went on for another year together and went to Canada too."
This is mostly true. Like in the movie, a state trooper called Tony Lip and he came down to the YMCA. However, the real Tony Lip didn't mention that he found Don Shirley handcuffed naked to the shower with another man beside him. Instead, he said that when he arrived, Shirley told him that he had hit on three guys, but he didn't offer any more details. The two state troopers did want to arrest Shirley, but according to Lip, he bribed them. "I said, 'Before we go through anything, maybe we can straighten it out,'" Lip told the troopers. "'I want ya to get yourselves a couple a suits.' I got $200 and I gave them that." He said that they were hesitant but accepted the offer and let Shirley go. It's true that Shirley was upset that Lip had bribed the two state troopers. -Tony Lip Audio Interview
"[Don Shirley] never came out that he was gay. It was never spoken of," says Nick Vallelonga, Tony Lip's son. Vallelonga says that the YMCA story depicted in the movie is the only one about Shirley's sexuality that he ever heard. -TIME
Yes. The film implies that Shirley's genius was a heavy burden that caused him to shut others out, which is why his friendship with Tony Lip was so special. This is all in line with the Green Book true story. Like in the film, he dealt with his loneliness and possible depression by drinking heavily, downing almost an entire bottle of scotch each day of the tour. -TIME
Yes. The events in the Green Book movie happened about a decade before Tony Lip started working as an actor. He made his film debut with a small part in the 1972 movie The Godfather, after meeting director Francis Ford Coppola while working at the Copacabana Nightclub in New York City. He had parts in approximately 21 other films over the years, including Dog Day Afternoon, Raging Bull, Goodfellas and Donnie Brasco. He is perhaps most recognizable from his role as Carmine Lupertazzi in the HBO TV series The Sopranos.